S.E. Casey grew up near a lighthouse. He always dreamed of smashing the lighthouse and building something grotesque with the rubble. This is his writing method for his weird, existential tales. Published in many magazines and anthologies, links to his stories can be found at secaseyauthor.wordpress.com.
My 101 word story “Vinegar Chips” has been posted at 101Words. It’s the first in a group of drabbles I have recently written. There has been several recent drabble horror anthology releases that have been making the rounds in recent months (DrabbleDark, ed. by Eric S Fomley and 100 Word Horrors, ed. by Kevin J Kennedy), so I thought I would throw my hat into the ring. Perfect, the short-short format, as in the summer, my time to write is limited.
I also have 100 word stories accepted to be published in Chronos: An Anthology of Time Drabbles (available for pre-order) and Drabbledark II (release TBA). Also, I have written two other drabbles that I am waiting for markets to open. Another 100 story I wrote I expanded into a full fledged flash which I am excited about.
Happy to announce my dystopian tale, The Day the Towers Rose, is included in the latest Aphotic Realm release DYSTOPIA. What’s it about? Chances are that society won’t end with a bang. Like most empires, it will slowly waste and erode, the fear of austerity and stagnating culture eventually fracturing the system. How long would you hold onto the life you know? Would you keep going to work knowing the end is near; mow that lawn, keep up with that diet?
I am pretty sure I would hang on to the very end. I would take a minimum wage job mopping the decks of the Titanic instead of making a run for the life rafts. I have grown used to depending on order and rules. Safety. Complacency. So what would you do? Embrace the uncertainty and chaos like a modern day Mad Max? Are you sure? Since everything is temporary and the end is inevitable, why haven’t you checked out of the system already? Quit the job, live off the grid in the mountains. No one’s stopping you. Still sure??
Thanks to A.A. Medina, Dustin Yoak, and everyone else at Aphotic Realm. Dystopia is a giant issue: 100 pages! Other authors include S.J. Budd, John F. Leonard, Brian Black, Kevin Holton, Mandi Jourdan, Lachlan Watt, and Bo Chappell to name a few. Happy to share this issue with all! Also, if you are looking to support Independent authors/presses, check out Aphotic Realm. They work hard and love what they do.
The Thomas Ligotti inspired collection VASTARIEN kicks-off with the one act play, “The Gods in Their Seats, Unblinking” by Kurt Fawver. More accurately, it is an account of play, the playwright and actors vanished and possibly fictional themselves. The traditional roles between actor and audience quickly dissolves. Who are the real performers? Are audience and actors interchangeable? Redundant?
An excellent, thought-provoking story, it not only kept me interested in the narrative, but also in the larger philosophical questions posed. It is said that good art makes the audience an active participant, which is certainly the case here. Perhaps the placement of “Gods in Their Seats, Unblinking” (great title too) as the first story is a subtle hint to which VASTARIEN aspires. In this literary journal, there is a bleeding of fiction, meta-fiction, and nonfiction—the lines between reader and writer blurring much like the participants in Fawver’s play or Ligotti’s own metaphoric twilights and nebulous skylines.
Described as a source of critical study and creative response to the corpus of Thomas Ligotti, as well as associated authors and ideas, VASTARIEN focuses on the thematic elements and dominant subjects of the horror master. While this may sound a bit antiseptic and scholarly, each author brings their own creativity and spirit to their chapter. This is not an echo chamber of a Ligottian ethos or a mimic of his style (unlike the many Lovecraft pastiches out there). Simply put, these are works that occupy a similar rebellious space of existential anxiety and escapism.
Some of the fiction highlights for me are “Nervous Wares & Abnormal Stares” by Devin Goff. A bucolic town is dismantled board by board, shop by shop, the rural niceties a cover for the strange and sinister. Jordan Krall delivers an unsettling, disorienting tale of the crumbling reality of madness in “My Time at the Drake Clinic”. Also, Christopher Slatsky’s mockumentary “Affirmation of the Spirit: Consciousness, Transformation, and the Fourth World in Film” expertly walks the fine line of fiction masquerading as the real.
VASTARIEN’s half dozen nonfiction essays are highlighted by the simply named, “Notes on a Horror” by a psychologist using the alias Dr. Raymond Thoss. This piece provides a penetrating look into the world of trauma and treatment. Written for the layman in four digestible parts, the author makes the case of how Ligottian themes can be used to both conceptualize pathological dissociation associated with such things as PTSD, and how they can actually reconnect a patient to the world. Given how many dismiss Ligotti’s worldview as simply antinatalistic and pessimistic, I found this a compelling demonstration of how Ligotti’s work can relieve and even heal. For someone who has taken much comfort and solace in Ligotti’s words/worlds, I am glad to see this concept eloquently explored.
Finally, closing the collection, is Christopher Ropes’ “Singing the Song of My Unmaking”. This hybrid piece sums VASTARIEN as it is part poem, fictional story, and confessional autobiography blended into a coherent whole. It’s a fitting closer where dissociation, depression, and the dissolving of reality play out under the threatening clouds of engulfing nihilism. A emotional story that will stay with you long after reading.
VASTARIEN is a must read for the Ligotti fan. I found this dedicated journal gave me insights into his works that I hadn’t before. Also, to see what Ligotti inspires in others was something I hadn’t anticipated and gave me much to contemplate. For those who may not be familiar with Ligotti, there is a lot to enjoy here, nothing too esoteric or ‘inside’. The different pieces, while certainly challenging, are never out of reach, written both for the neophyte and Ligotti-phile. The inclusion of starkly personal works, too, make this an accessible book. An exciting beginning to the VASTARIEN journey. Congratulations to editors Jon Padgett and Matt Cardin of ‘Thomas Ligotti Online’ to make this project come to fruition. Looking forward to Issue 2!
My latest flash fiction surreality, Biological Determinism, has been published by the relatively new weird and bizarro online magazine/blog Silent Motorist Media. Originally, I wrote this in response to a contest call by SMM for 200 word stories relating to “Esoteric Sausages”. While an idea based on this theme came to me quickly, I had a little problem deciding which 15-20 darling words I would need to chop off to get it down to the count limit that, along with other deadlines distracting me, had the contest end before I got a chance to submit. What to do with a odd, esoteric sausage story? Fortunately, Silent Motorist Media opened up soon after for general submissions. Without the word count limitation, I was free to expand my abstract creepiness to 420 words. Submitted. Done.
Thanks to SSM’s creator, chief editor, and benevolent tyrant Justin Burnett for publishing. Justin has a lot on his plate, but was really enthusiastic about working with me and featuring this piece on his site. Check out and subscribe for other Silent Motorist Media content. Music, literature, philosophy, art. Interviews too, most recently a-list horror authors Michael Wehunt and Philip Fracassi. Hopefully, I will be talking with Justin myself, soon.
Happy to have my story entry “Animal Control” (click for link) finish in third place in the Molotov Cocktail Literary Zine’s May #KillerFlash contest. The themed contest asked for stories dealing in some way with death. Of course, death is often feared and certainly hated, but is also omnipresent and unfortunately necessary. Avoidance is not an option, denial is foolish, struggle is futile. It controls everything, but best we not let it control us until it is time. Like a bad, but frustratingly competent co-worker, can we work with it side by side, deal with its inconveniences, obscenities, and poor manners? Can we ignore the throbbing thing in the oozing black paper bag in the office refrigerator, or, when noontime suddenly turns to night?
Thanks to the Molotov Cocktail (Josh, Mary, and all the other fine folks at MC) for hosting these contests (there’s one every quarter and a dark poetry contest once a year for those who want in on the fun). Love the illustration they made of the hate-’em-but-can’t-live-without-’em main character. Also, thanks to Sylvia Mann for reading an early draft and providing some necessary insight instrumental in focusing my chaos!
Hinnom Magazine Issue 006 <click link> is now live. Available in digital and print, it includes my short story “O’ Babylon” as well as stories by Ed Kurtz, George Taylor, Ashley Dioses, Kevin M Folliard, P.L McMillian, and Brianna Zigler. Also reviews, articles, and an interview of Bram Stoker nominated author S.P. Miskowski.
I also was interviewed by Gehenna & Hinnom Book’s founder C.P. Dunphey in an author spotlight <click link>. We discussed my motivations for writing, influences, philosophy, and the background on my story. Hear me shamelessly talk about myself and butcher a Dostoyevsky title.
Thanks go out to Gehenna & Hinnom, and especially C.P. Dunphey. It was a great experience being published by Hinnom Magazine, the communication and the support they showed me was great. Please support this press, this is truly a publisher who has a great respect for the horror, sci-fi, and weird genres and is dedicated to helping indie authors. Here is a recent interview of C.P. Dunphey from Horror Tree <click link> for more info on Gehenna & Hinnom.
My story “The Hunger House” has been published in The Sirens Call Ezine #38 (free to download). My story is part of my “Red Girls” mythos that I am slowly releasing across various publications. This issue is 184 pages(!), stories, drabbles, poems etc by some familiar names, Christopher Stanley, Maura Yzmore, David B. Harrington, Brian Bogart, Kevin Holton, and Myk Pilgrim to name a few.
The seeds of this story came last summer when I was trying to come up with a 500 word maximum horror submission call. One of my ideas sprung from a house that I pass most everyday at sunset. In wring the first draft, I went way past the 500 word limit and knew it would be impossible to chop down without making it incoherent. Hating to leave any story half-finished, recently I filled in the missing details, edited, and polished it. Seeing a submission call for general horror stories by The Siren’s Call, I decided to kick it out of the house and put it to work.
See below for a picture of the actual house. It sits on the shores of Buzzard’s Bay and has a catwalk that rings a dual white chimney. Of course, the house in my story is larger, more historic, with a shorter chimney, etc. Basic writer trickery to fit around the story. Its not a historic house, but, as a side note, a famous person did live there for a number of years.
Here is the original drabble I wrote introducing the Red Girls mythos:
THE RED GIRLS
He left the door unlocked.
All doors were locked the nights the Red Girls visited.
Colonel Emerick Aldrich sipped his cognac. However, he couldn’t taste it. There wasn’t much he could enjoy anymore. Even the heat from the roaring fire felt dull.
He heard the door handle rattle behind him, a pattering of little feet on the hardwood.
They stood him up like a marionette. The old man smiled, he would get to see the Red Girls, a fitting finale to his life. But they didn’t turn him around, forcing him to take one step after another toward the fire.